Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.References:
Königstein Fortress is located on the left bank of the River Elbe. It is one of the largest hilltop fortifications in Europe. The 9.5 hectare rock plateau rises 240 metres above the Elbe and has over 50 buildings, some over 400 years old, that bear witness to the military and civilian life in the fortress. The rampart run of the fortress is 1,800 metres long with walls up to 42 metres high and steep sandstone faces. In the centre of the site is a 152.5 metre deep well, which is the deepest in Saxony and second deepest well in Europe.
The fortress, which for centuries was used as a state prison, is still intact and is now one of Saxony's foremost tourist attractions, with 700,000 visitors per year.
By far the oldest written record of a castle on the Königstein is found in a deed by King Wenceslas I of Bohemia dating to the year 1233. It is probable that there had been a stone castle on the Königstein as early as the 12th century. The oldest surviving structure today is the castle chapel built at the turn of the 13th century. In the years 1563 to 1569 the 152.5 metre deep well was bored into the rock within the castle - until that point the garrison of the Königstein had to obtain water from cisterns and by collecting rainwater.
Between 1589 and 1591/97 Prince-Elector Christian I of Saxony and his successor had the castle developed into the strongest fortification in Saxony. The hill was now surrounded with high walls. Buildings were erected, including the Gatehouse (Torhaus), the Streichwehr, the Old Barracks (Alte Kaserne), the Christiansburg (Friedrichsburg) and the Old Armoury (Altes Zeughaus). The second construction period followed from 1619 to 1681, during which the John George Bastion was built. The third construction period is seen as the time from 1694 to 1756, which included the expansion of the Old Barracks. From 1722 to 1725, at the behest of August the Strong, coopers under Böttger built the enormous Königstein Wine Barrel, the greatest wine barrel in the world, in the cellar of the Magdalenenburg which had a capacity of 249,838 litres. It cost 8,230 thalers, 18 groschen and 9 pfennigs. The butt, which was once completely filled with country wine from the Meißen vineyards, had to be removed again in 1818 due to its poor condition. Because of Böttger, Königstein Fortress is also the site where European porcelain started.
Even after the expansion during those periods of time there continued to be modifications and additions on the extensive plateau. The Treasury (Schatzhaus) was built from 1854 to 1855. After the fortress had been incorporated in 1871 into the fortification system of the new German Empire, battery ramparts were constructed from 1870 to 1895 with eight firing points, that were to have provided all-round defence for the fortress in case of an attack that, in the event, never came. This was at this time that the last major building work was done on the fortress.
Because Königstein Fortress was regarded as unconquerable, the Saxon monarchs retreated to it from Wittenberg and later Dresden during times of crisis and also deposited the state treasure and many works of art from the famous Zwinger here; it was also used as a country retreat due to its lovely surroundings.
The fortress played an important role in the History of Saxony, albeit less as a result of military action. The Saxon Dukes and Prince-Electors used the fortress primarily as a secure refuge during times of war, as a hunting lodge and maison de plaisance, but also as a dreaded state prison. Its actual military significance was rather marginal.
Since 1955 the fortress has been an open-air, military history museum of high touristic value.