Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.References:
Eketorp is an Iron Age fort in southeastern Öland, which was extensively reconstructed and enlarged in the Middle Ages. Throughout the ages the fortification has served a variety of somewhat differing uses: from defensive ringfort, to medieval safe haven and thence a cavalry garrison. In the 20th century it was further reconstructed to become a heavily visited tourist site and a location for re-enactment of medieval battles. Eketorp is the only one of the 19 known prehistoric fortifications on Öland that has been completely excavated, yielding a total of over 24,000 individual artifacts. The entirety of southern Öland has been designated as a World Heritage Site by UNESCO. The Eketorp fortification is often referred to as Eketorp Castle.
The indigenous peoples of the Iron Age constructed the original fortification about 400 AD, a period known to have engendered contact between Öland natives with Romans and other Europeans. The ringfort in that era is thought to have been a gathering place for religious ceremonies and also a place of refuge for the local agricultural community when an outside enemy appeared. The circular design was believed to be chosen because the terrain is so level that attack from any side was equally likely. The original diameter of this circular stone fortification was about 57 metres. In the next century the stone was moved outward to construct a new circular structure of about 80 metres in diameter. At this juncture there were known to be about fifty individual cells or small structures within the fort as a whole. Some of these cells were in the center of the fortified ring, and some were actually built into the wall itself.
In the late 600s AD the ringfort was mysteriously abandoned, and it remained unused until the early 11th century. This 11th century work generally built upon the earlier fort, except that stone interior cells were replaced with timber structures, and a second outer defensive wall was erected.
Presently the fort is used as a tourist site for visitors to Öland to experience a medieval fortification for this region. A museum within the castle walls displays a few of the large number of artefacts retrieved by the National Heritage Board during the major decade long excavation ending in 1974. Inside the fort visitors are greeted by actors in medieval costumes who assume the roles of period artisans and merchants who might have lived there nine centuries earlier. There are also re-enactment scenes of skirmishes and other dramatic events of daily life from the Middle Ages.
Eketorp lies a few kilometers west of Route 136. There is an ample unpaved parking area situated approximately two kilometers west of the paved Öland perimeter highway. There is also a gift shop on site. During peak summer visitation, there are guided tours available. Visitors are assessed an admission charge.