Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.References:
Ananuri was a castle and seat of the eristavis (Dukes) of Aragvi, a feudal dynasty which ruled the area from the 13th century. The castle was the scene of numerous battles. The current ensemble dates from the 16th and 17th centuries.
In 1739, Ananuri was attacked by forces from a rival duchy, commanded by Shanshe of Ksani and was set on fire. The Aragvi clan was massacred. However, four years later, the local peasants revolted against rule by the Shamshe, killing the usurpers and inviting King Teimuraz II to rule directly over them. However, in 1746, King Teimuraz was forced to suppress another peasant uprising, with the help of King Erekle II of Kakheti. The fortress remained in use until the beginning of the 19th century. In 2007, the complex has been on the tentative list for inclusion into the UNESCO World Heritage Site program.
The fortifications consist of two castles joined by a crenellated curtain wall. The upper fortification with a large square tower, known as Sheupovari, is well preserved and is the location of the last defense of the Aragvi against the Shamshe. The lower fortification, with a round tower, is mostly in ruins.
Within the complex, amongst other buildings, are two churches. The older Church of the Virgin, which abuts a tall square tower, has the graves of some of the Dukes of Aragvi. It dates from the first half of the 17th century, and was built of brick. The interior is no longer decorated, but of interest is a stone baldaquin erected by the widow of the Duke Edishera, who died in 1674.
The larger Church of the Mother of God (Ghvtismshobeli), built in 1689 for the son of Duke Bardzem. It is a central dome style structure with richly decorated façades, including a carved north entrance and a carved grapevine crosson the south façade. It also contains the remains of a number of frescoes, most of which were destroyed by the fire in the 18th century.