The Karl Marx House museum (Karl-Marx-Haus) is a biographical and writer's house museum in Trier. In 1818, Karl Marx, the father of Marxism, which influenced both modern socialism and communism, was born in the house. It is now a museum about Karl Marx's life and writings as well as the history of communism.
The house was built in 1727 as a two-story baroque building. Karl Marx was born there on 5 May 1818. In October 1819, the Marx family moved to a smaller building near the Porta Nigra. The significance of the house went unnoticed until 1904, at which point the Social Democratic Party of Germany (SPD) attempted to acquire the home, succeeding in 1928. After the Nazi Party came to power in 1933, the building was confiscated and turned into a printing house.
On 5 May 1947 the building was opened as a museum of the life and works of Karl Marx. In 1968 it was integrated into the Friedrich Ebert Foundation, a political party foundation closely aligned with the SPD. On 14 March 1983, the 100th anniversary of Marx's death, the museum was re-opened after a year-long renovation that expanded it to three floors.
On the occasion of the bicentennial of Karl Marx's birth on 5 May 2018, the exhibition was completely reworked with a new concept entitled 'From Trier to the World. Karl Marx, his ideas and their impact until today'. The exhibition consists of three major units and features a further unit on the history of the house itself. The first area deals with the biography of Karl Marx, addressing his origins in Trier and his life in exile. The second is devoted to his work, where Marx appears as a philosopher, as a journalist, as a sociologist and as an economist, and the third shows the global impact of Marx up to the present day.
Amongst the exhibits are Marx's reading chair, a first edition of Das Kapital and a bust of Marx which was sculpted by his great-grandson.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.