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Founded: 11th centuryCategory: Prehistoric and archaeological sites in Sweden
Historical period: Consolidation (Sweden)
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The Vaksala Runestone is one of the approximately forty runestones made by the runemaster Öpir, who signed this inscription and was active in the late 11th and early 12th century in Uppland. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. The runic inscription states that Ígulfastr arranged and Öpir carved the runestone on the behest of the widow and the daughter of the deceased.
The Vaksala Runestone was used as building material for the construction of a wall in the churchyard. It has been removed from the wall and placed in its present location in the churchyard.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.