The Rubenshuis ('Rubens House') is the former home and studio of Peter Paul Rubens (1577–1640) in Antwerp. It is now a museum.
A year after marrying Isabella Brant in 1609, Rubens began construction on an Italian-style villa at the time located at the banks of the canal Herentalse Vaart. Rubens designed the building himself, based on studies of Italian Renaissance palace architecture that also formed the basis of his Palazzi di Genova. The layout included his home, studio, a monumental portico and an interior courtyard. The courtyard opens into a Baroque garden that he also planned.
In the adjacent studio he and his students executed many of the works for which Rubens is famous. He had established a well-organised workshop that met the demands of his active studio, including large commissions from England, France, Spain and Bavaria and other locations. He relied on students and collaborators for much of the actual work. Rubens himself, however, guaranteed the quality and often finished paintings with his own hand. In a separate private studio he made drawings, portraits and small paintings without the assistance of his students and collaborators.
Rubens spent most of his lifetime in this palace. After his death, his wife Helena Fourment rented the building to William Cavendish and his wife. After the Cavendishes left in 1660, the house was sold.
The city bought the house in 1937, and after an extensive restoration the Rubenshuis was opened to the public in 1946. Dozens of paintings and artworks by Rubens and his contemporaries were installed in the rooms, as well as period furniture. Paintings include his early Adam and Eve (c. 1600) and a self portrait made when he was about fifty.
The Rubenianum, a centre dedicated to the study of Rubens, is in a building at the rear of the garden.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.