The Haus am Horn was built for the Weimar Bauhaus's exhibition of July through September 1923. It was designed by Georg Muche, a painter and a teacher at the Bauhaus. Other Bauhaus instructors, such as Adolf Meyer and Walter Gropius, assisted with the technical aspects of the house's design. The house's construction was financed by Sommerfeld, a Berlin lumber merchant, who had been a client of Gropius years before. The house was built away from the main section of the Bauhaus, on land that was being used as a vegetable garden for the school. The site is currently near the Park an der Ilm in Weimar, on a residential street.
It was a simple cubic design, utilizing steel and concrete in its construction. At the center of the house was a clerestory-lit living room, twenty-feet square, with specialized rooms surrounding it. Each room had specially-designed furnishings and hardware designed by and created in the Bauhaus workshops. László Moholy-Nagy, for instance, designed the lights and were made in the metal workshop; Marcel Breuer, a student at the time, designed the furniture, including the built-in cabinetry.
Owing to the Bauhaus's financial difficulties, the Haus am Horn was sold to a private individual in 1924. In 1996, it entered onto the monument preservation list of UNESCO along with other important Bauhaus sites in both Weimar and Dessau. In 1998-1999, the structure was evaluated for restoration by the Bauhaus University Circle of Friends.
On the occasion of the Bauhaus‘s 80th anniversary, the house was completely restored by the Bauhaus University Circle of Friends with support from the Sparkasse Finance Group and several public donors.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.