The Church of Santa Engrácia is a 17th-century monument which was converted into the National Pantheon (in which important Portuguese personalities are buried) in the 20th century.
The current building of the Church of Santa Engrácia substituted previous churches dedicated to a martyr of the city of Braga, Saint Engrácia. The first church dedicated to the Saint was sponsored by Infanta Maria of Portugal, Duchess of Viseu, daughter of King Manuel I, around 1568. In 1681, construction of the current church began after previous structures collapsed. The design was the work of João Antunes, royal architect and one of the most important baroque architects of Portugal.
Construction proceeded from 1682 through 1712, when the architect died. King John V lost interest in the project, concentrating his resources in the gigantic Convent of Mafra. The church was not completed until the 20th century, so that Obras de Santa Engrácia has become a Portuguese synonym for an endless construction project. A dome was added, and the church was reinaugurated in 1966.
João Antunes prepared an ingenious design for Santa Engrácia, never before attempted in Portugal. The church has a centralised floorplan, with a Greek cross shape. On each corner there is a square tower, and the façades are ondulated like in the baroque designs of Borromini. The main façade has an entrance hall and three niches with statues. The entrance to the church is done through a beautiful baroque portal with the coat-of-arms of Portugal held by two angels. The Church has a high central dome which was completed only in the 20th century.
The harmonious interior of the church is dominated by the curved spaces of the central crossing and naves. The floor and walls are decorated with baroque, polychromed patterns of marble. The magnificent 18th-century baroque organ was brought from Lisbon Cathedral.
In 1916, during the First Portuguese Republic, the Church of Santa Engrácia was converted into a National Pantheon. It was completed only in 1966, during the government of the Dictator António de Oliveira Salazar.
The personalities buried here include the Presidents of the Republic Manuel de Arriaga, Teófilo Braga, Sidónio Pais and Óscar Carmona, Presidential candidate Humberto Delgado, writers João de Deus, Almeida Garrett, Guerra Junqueiro, Aquilino Ribeiro and Sophia de Mello Breyner Andresen, fado singer Amália Rodrigues, and footballer Eusébio. There are cenotaphs to Luís de Camões, Pedro Álvares Cabral, Afonso de Albuquerque, Nuno Álvares Pereira, Vasco da Gama and Henry the Navigator.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".