Tivoli Castle is a mansion located in the Ljubljana's Tivoli Park. In the early 15th century, a tower stood in the woods above the site; it was owned by Georg Apfalterer, an ally of Duke Frederick (later Holy Roman Emperor Frederick III). The tower was destroyed by Frederick II, Count of Celje in 1440.
The current structure was built in the 17th century atop the ruins of a previous Renaissance-period castle, the mansion was initially owned by the Jesuits, but came into the possession of the Diocese of Ljubljana following the 1773 suppression of the Jesuit order. Used as the bishop's summer residence, it was surrounded with orchards.
In the mid-19th century, it was bought by the Austrian emperor Francis Joseph I, who in 1852 presented it as a gift to the veteran Habsburg marshal Joseph Radetzky. Radetzky renovated the mansion in the Neoclassical style, giving it its present appearance, and spent much of his retirement in it with his wife Francisca von Strassoldo Grafenberg, a local Carniolan noblewoman.
The field marshal Joseph Radetzky von Radetz (1766–1858) contributed a lot to the arrangement of Tivoli Park. There was a full-size cast iron statue of Radetzky on display in Ljubljana on the steps in front of Tivoli Castle from 1882 till 1918. In 1851, it won a prize at the Great Exhibition in London. Today, it is preserved by the City Museum of Ljubljana. The statue's pedestal, however, remains at its original place.
In 1863, the mansion was bought by the Municipality of Ljubljana, who used it as (among other things) a poorhouse, later subdividing it into condominiums. In 1967, it was again renovated and became the venue for the International Centre of Graphic Arts.
In 1864, the Austrian sculptor Anton Dominik Fernkorn created four cast iron dogs, still on display in Tivoli Park in front of Tivoli Castle. The dogs do not have tongues, and it has been falsely rumoured that Fernkorn committed suicide by shooting himself due to this mistake.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.