St. Georg's Church is one of twelve Romanesque churches in the city of Cologne. The date of the foundation of St Georg's is unknown, but it was consecrated towards the end of the 11th century. The nave was vaulted in the mid-12th century, the westwerk was added in 1188 and the entrance portal on the north side in 1551. The church was damaged during World War II, resulting in extensive restoration which included the removal of the Baroque extension to the westwerk and replacement with a simple hip roof in the Romanesque style.
St Georg's has the trefoil-shaped eastern end typical of other Romanesque churches of Cologne, its chancel and transepts each terminating in an apse. The nave is unique in Cologne in having its arcade supported on columns rather than piers.
There is a robust westwerk with walls of 5 metres thick, suggesting that it was intended to be much taller than actually built. The original Romanesque roof of the westwerk was replaced with a Baroque belfry, but this was damaged during World War II and later replaced with a steeply pitched hip roof of copper. During the late 1920s the church had been entirely glazed by the Expressionist artist, Johan Thorn Prikker. These windows were lost during the war, but have been reproduced from the original cartoons.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.