The Musée d’Art et d’Histoire (Museum of Art and History) is the largest art museum in Geneva. It was built by the architect Marc Camoletti between 1903 and 1910, and financed by a bequest from the banker Charles Galland (1816–1901).
The façade is decorated with sculptures by Paul Amlehn: an allegory of the arts, depicting painting, sculpture, drawing and architecture, is mounted on the triangular gable above the entrance, and two more allegories, of archaeology and applied art, can be seen in the left- and right-hand corners of the building respectively.
The fine art section has paintings from the Middle Ages to the 20th century, with works by the Italian, Dutch, French, English, Genevan and Swiss Schools. The best-known painting is The Miraculous Draught of Fishes (1444) by Konrad Witz, contained in Witz's St. Peter Altarpiece. Other major artists include Rembrandt, Cézanne, Modigliani, and the sculptor Rodin. The museum also has numerous works by Jean-Étienne Liotard, Ferdinand Hodler, Félix Vallotton and Jean-Baptiste-Camille Corot.
The applied art section has collections of Byzantine art, icons, weapons from the Middle Ages and Renaissance, silverware and tinware, musical instruments and textiles. The complete interior furnishing and wood panelling from several rooms of the Lower Castle Zizers (late 17th century) have been built into the museum.
The archaeology section displays findings from European prehistory, ancient Egypt (with a mummy from the 9th century BC), the Kerma culture of Sudan, the Near East, ancient Greece, and Roman and pre-Roman Italy, as well as a numismatic cabinet.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.