The Convento de San José is a monastery of Discalced Carmelite nuns in Ávila. It is situated not far from the center of the city but outside the medieval walls. Saint Teresa of Jesus was the driving force behind the foundation of the monastery, which was built from 1562 onwards. The statue in the facade was commissioned by King Philip III of Spain via artist Giraldo de Merlo.
In 25 August 1963, Pope Paul VI sent Cardinal Arcadio Larraona Saralegui to canonically crown their antiquated image of Saint Joseph, enshrined within their convent. The same Cardinal as prefect of Sacred Congregation of Rites executed their papal bull of coronation, initially signed by Pope John XXIII.
The convent was built in the year of 1562, although the church, its most important architectural element, was built only in 1607. The church was designed by the architect Francisco de Mora (1553-1610), who devised a church with a single nave covered with a vaulted ceiling and a dome over the transept.
Its main facade, which is set on two levels matches with the top pediment and portal of three arches at the bottom, was one of the most imitated in the religious buildings of the seventeenth century and was adopted as a model of Discalced Carmelite construction. Inside the church is the Chapel of the Guillamas family, which serves as the family crypt.
The Convent of Saint Joseph has been protected under Spanish law since 1968 when it was designated a national monument. The 'Old Town of Ávila with its Extra-Muros Churches' is a UNESCO World Heritage Site, although the monastery is not one of the extra-muros churches listed in the nomination.
The convent currently houses a museum dedicated to Saint Teresa of Jesus.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.