Located in Santiponce, the Monasterio de San Isidoro del Campo was founded somewhere near the Roman ruins of Itálica, by Alfonso Pérez de Guzmán and María Coronel Alonso in 1301, where according to tradition San Isidoro de Sevilla had been buried. His remains were discovered and moved to León in 1063.
Since its foundation, the monastery has been under the spiritual and temporary administration of different religious orders. In 1432 the Hieronymites of the Order of Saint Jerome significantly reformed the monastery which is reflected in the concept of monastic life and in the decoration.
In this unique fortress-monastery, with a double church, the Gothic style is juxtaposed with clear Languedoc and Mudejar influences, where the Almohad tradition is clearly visible. Unlike Cistercian austerity, the Hieronymite monastery is decorated with murals that make up what is possibly one of the most outstanding ensembles in Spain.
The monastery was extended and became richer over the centuries, eventually having a tower, a belfry, five cloisters and, next to the monastic quarters, the attorney general's quarters, a hostelry and the farming facilities expected of an institution aspiring to self-sufficiency.
During the Baroque, period, this medieval establishment was transformed with altarpieces (the two by Martínez Montañés on public display are worthy of special mention), stalls, new murals and plaster vaults.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.