Located in Santiponce, the Monasterio de San Isidoro del Campo was founded somewhere near the Roman ruins of Itálica, by Alfonso Pérez de Guzmán and María Coronel Alonso in 1301, where according to tradition San Isidoro de Sevilla had been buried. His remains were discovered and moved to León in 1063.
Since its foundation, the monastery has been under the spiritual and temporary administration of different religious orders. In 1432 the Hieronymites of the Order of Saint Jerome significantly reformed the monastery which is reflected in the concept of monastic life and in the decoration.
In this unique fortress-monastery, with a double church, the Gothic style is juxtaposed with clear Languedoc and Mudejar influences, where the Almohad tradition is clearly visible. Unlike Cistercian austerity, the Hieronymite monastery is decorated with murals that make up what is possibly one of the most outstanding ensembles in Spain.
The monastery was extended and became richer over the centuries, eventually having a tower, a belfry, five cloisters and, next to the monastic quarters, the attorney general's quarters, a hostelry and the farming facilities expected of an institution aspiring to self-sufficiency.
During the Baroque, period, this medieval establishment was transformed with altarpieces (the two by Martínez Montañés on public display are worthy of special mention), stalls, new murals and plaster vaults.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.