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Founded: 1246Category: Miscellaneous historic sites in Sweden
Historical period: Consolidation (Sweden)
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Solberga Abbey was a Cistercian nunnery in operation from 1246 until at least 1469. It was located outside Visby on Gotland until 1404, and then in Visby. It was the only nunnery ot the island of Gotland.
Solberga Abbey was likely a daughter convent of Vreta Abbey. On 12 August 1246, Bishop Laurentius of Linköping mentions that the first nuns had been sent to Gotland, were Solberga was the only nunnery on the island. In contrast to what was previously believed, Solberga was a large convent with many members. It had both an abbess and a prioress. In 1361, many fallen from the Battle of Visby was buried on the abbey's land, were a cross, which still stands, was erected.
The abbey was presumably destroyed by the war between the Victual Brothers, the Teutonic Knights and the forces of the Kalmar Union in 1398-1403. In 1404, the abbess applied for help from the Master of the Teutonic Knights in Prussia, then in control of Gotland, to found a new abbey. The nuns were allowed to reside in the St. Jacob chapel in Visby, where they lived until they moved in to St. Gertrud chapel in Visby in 1469, then described as the diminished nuns of Visby. During the 15th century, the nuns were still, event though no longer in residence at Solberga, referred to as the Solberga nuns.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.