Statens Museum for Kunst ('Statens Museum' or sometimes 'National Gallery of Denmark') collects, registers, maintains, researches in and handles Danish and foreign art dating from the 14th century till the present day, mostly with their origins in western culture circles. The museum's collections constitute almost 9,000 paintings and sculptures, approximately 300,000 works of art on paper as well as more than 2,600 plaster casts of figures from ancient times, the middle-ages and the Renaissance.
The collections of the Danish National Gallery originates in the Art Chamber of the Danish monarchs. When the German Gerhard Morell became Keeper of Frederick V's Art Chamber about 1750, he suggested that the king create a separate collection of paintings. To ensure that the collection was not inferior to those of other European royal houses and local counts, the king made large-scale purchases of Italian, Netherlandish and German paintings. The collection became particularly well provided with Flemish and Dutch art. The most important purchase during Morell's term as keeper was Christ as the Suffering Redeemer by Andrea Mantegna.
Since then a great variety of purchases have been made. During the 19th century the works were almost exclusively by Danish artists, and for this reason the Museum has an unrivalled collection of paintings from the so-called Danish Golden Age. That the country was able to produce pictures of high artistic quality was something new, and a consequence of the establishment of the Royal Danish Academy of Fine Arts in 1754.
More recently, the collection has been influenced by generous donations and long-term loans. In 1928 Johannes Rump's large collection of early French Modernist paintings was donated to the Museum. This was followed by purchases of paintings and sculpture in the French tradition.
The museum building was designed by Vilhelm Dahlerup and G.E.W. Møller and built 1889–1896 in a Historicist Italian Renaissance revival style.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.