Cathedrals in Italy

Monza Cathedral

Monza Cathedral (Duomo di Monza) is not in fact a cathedral, as Monza has always been part of the Diocese of Milan, but is in the charge of an archpriest who has the right to certain episcopal vestments including the mitre and the ring. The basilica, which would in essence have been complete by 603, is believed to have been commissioned towards the end of the sixth century by the Lombard Queen of Italy, Theode ...
Founded: 1300 | Location: Monza, Italy

Brescia Old Cathedral

The Duomo Vecchio or Old Cathedral (also called La Rotonda because of its round layout) is a rustic circular Romanesque co-cathedral standing next to the Duomo Nuovo (New Cathedral) of Brescia. It is one of the most important examples of Romanesque round church in Italy. While some claims for an earlier construction exist, the earliest documents state the cathedral was built in the 11th century on the site of ...
Founded: 11th century | Location: Brescia, Italy

Brescia New Cathedral

Construction of the Brescia New Cathedral, Duomo Nuovo, was begun in 1604 at the site where the paleo-Christian 5th-6th century basilica of San Pietro de Dom was located. The original commission was given to Andrea Palladio, but the commission was subsequently granted to the architect Giovanni Battista Lantana. He was aided by Pietro Maria Bagnadore. Work was interrupted during a season of plague around 1630. Work s ...
Founded: 1604 | Location: Brescia, Italy

Mantua Cathedral

Mantua Cathedral (Duomo di Mantova) is the seat of the Bishop of Mantua. An initial structure probably existed on the site in the Early Christian era, which was followed by a building destroyed by a fire in 894. The current church was rebuilt in 1395–1401 with the addition of side chapels and a Gothic west front, which can still be seen in a sketch by Domenico Morone (preserved in the Palazzo Ducale of Mant ...
Founded: 1395-1401 | Location: Mantua, Italy

Torba Abbey

Torba Abbey is a former Benedictine nunnery in the Castelseprio Archaeological Park. This in turn forms part of the serial site 'Longobards in Italy, Places of Power (568–774 A.D.)', comprising seven sites of especial importance for Lombard arts in architecture, pictures and sculpture, entered on the UNESCO List of World Heritage Sites in 2011. History The first nucleus of the Castelseprio complex, of ...
Founded: 8th century AD | Location: Castelseprio, Italy

Amalfi Cathedral

Amalfi Cathedral is a 9th-century Roman Catholic cathedral in the Piazza del Duomo, Amalfi. It is dedicated to the Apostle Saint Andrew whose relics are kept here. The newer cathedral was built next to the older basilica that was built on the ruins of a previous temple. The remains of St. Andrew were reportedly brought to Amalfi from Constantinople in 1206 during the Fourth Crusade by Cardinal Peter of Capua. In ...
Founded: 9th century AD | Location: Amalfi, Italy

Ravello Cathedral

Built in the 11th century with support from the Rufolo family, the Duomo is a combination of Baroque and Romanesque styles. Dedicated to St. Pantaleone, the church has undergone extensive modifications and restorations over the past 900 years. The Duomo’s shining white façade dates back to the last major restoration in 1931. The Duomo’s bell tower, which dates back to the 13th century, shows Moorish and Byzantine inf ...
Founded: 11th century | Location: Ravello, Italy

Sorrento Cathedral

Sorrento Cathedral, dedicated to Saints Philip and James, was first built around the 11th century and was rebuilt in the 15th century in Romanesque style. The cathedral bell tower has three storeys, and is decorated with a clock. The base of the bell tower dates to the time of the Roman Empire. The façade dates from 1924. The main doors are of the 11th century from Constantinople. The interior, on a Latin cro ...
Founded: 11th century | Location: Sorrento, Italy

Naples Cathedral

The present Naples cathedral was commissioned by King Charles I of Anjou. Construction continued during the reign of his successor, Charles II (1285-1309) and was completed in the early 14th century under Robert of Anjou. It was built on the foundations of two palaeo-Christian basilicas, whose traces can still be clearly seen. Underneath the building excavations have revealed Greek and Roman artifacts. The Archbish ...
Founded: 13th century | Location: Naples, Italy

Pozzuoli Cathedral

ThevPozzuoli Cathedral site probably originated as part of the town"s capitolium of the Greek or Samnite era, radically rebuilt in the Republican and Augustan eras. Between the end of the 5th and the start of the 6th century the inhabitants of the town decided to rededicate the temple as a church to Proculus of Pozzuoli. In 1538 it suffered major damage as Tripergole subsided and Monte Nuovo was formed. Bishop ...
Founded: 1538 | Location: Pozzuoli, Italy

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.