Bernstorff Palace

Gentofte, Denmark

Bernstorff Palace was built in the middle of the 18th century forForeign Minister Johann Hartwig Ernst, Count von Bernstorff. It remained in the possession of the Bernstorff family until 1812. In 1842 it was bought by Christian VIII. For many years it was used as a summer residence by Christian IX until his death in 1906.

The palace was designed by the French architect Nicolas-Henri Jardin who had been brought to Denmark to complete Frederick's Church in Copenhagen after the death of Nicolai Eigtved in 1754. It is one of the earliest examples of Neoclassical architecture in Denmark. The elaborately decorated two-storeyed building was completed in May 1765 at considerable cost. At the time it had four small decorative garrets, attics with decorative vases and a wide balcony on the roof ridge itself. On the garden side, there is a dome-covered projection rising the full height of the building.

The palace's many rooms were modest in size and intended primarily for domestic use rather than for display. Most are panelled with parquet floors, large mirrors and decorated ceilings. The four rooms on the south side have overdoors decorated by Johan Edvard Mandelberg.

Bernstorff left Denmark in 1770, after being dismissed by the regent, Johann Friedrich Struensee. The estate remained in his family’s hands until 1812 but was then sold on several occasions. It was about to be demolished in 1842 when Christian VIII bought it and charged Jørgen Hansen Koch with its comprehensive renovation. A mezzanine was added and the layout of the first-floor rooms was changed.

The palace's extensive gardens were laid out are in the Romantic landscape style which had just been introduced to Denmark in the 1760s. In addition to the lawns and woods, they include a rose garden, an orchard and a tea house. It is believed that Jardin who designed the palace was also responsible for their design, especially as his plans refer to the emergence of landscape gardens as a new trend in Denmark.

Today Bernstorff Palace is a hotel and conference centre.

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Details

Founded: 1759-1765
Category: Palaces, manors and town halls in Denmark
Historical period: Absolutism (Denmark)

Rating

4.3/5 (based on Google user reviews)

User Reviews

Morten Winkel (6 months ago)
Nice park was not in building
Søren Leth-Nissen (8 months ago)
Great atmosphere. Beautiful old castle.
Jakob Heidelberg (10 months ago)
We had a great stay for a single night and used their meeting facilities. Affordable luxury.
Andreas Artner (12 months ago)
Very nice Place to be, but too many unleashed dogs
Jacob Hviid Birkelund (2 years ago)
Lovely park, very scenic. The fact that it is super dog friendly is a huge bonus. Dogs don't have to be on leashes, so there is great opportunity to meet other dogs for play and socializing. :)
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The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

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In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

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