Christian's Church is a magnificent Rococo church in the Christianshavn district of Copenhagen. After Christian IV founded Christianshavn in 1617 as a town specially for merchants, a large community of German tradrers and craftsmen settled there. Even though Christianshavn had been incorporated into Copenhagen prior to 1674, they did not attend St. Peter's Church like the rest of the city's German community but preferred to use the local Church of Our Saviour. This lasted until they finally asked King Christian VI for permission to build their own church. The King approved the plans and contributed with a lot, a former saltern, located at the end of Strandgade in the southern part of the neighbourhood. He also granted permission for a lottery to be held to cover the project's financing with the result that the finished church used to be colloquially known as the Lottery Church.
Nicolai Eigtved, the king's preferred architect at the time, was charged with the design of the new church but died in 1754, before construction started. Instead his son-in-law, Royal Master Builder Georg David Anthon, was entrusted with supervising the actual construction of the church which was completed in 1759. Anthon also designed the spire which is an addition from 1769.
The church originally called Frederik's German Church (Danish: Frederiks Tyske Kirke), and served its original purpose as a church for the German congregation until it was dissolved in 1886. In 1901 the name of the church was changed to the current Christian's Church to complement and avoid confusion with Frederik's Church in Frederiksstaden in the other side of the harbour, as well as to conmemorate Christian IV, the founder of the Christianshavn area. Since 1991 it has been a regular parish church for Christian's Parish which includes part of Christianshavn as well as Slotsholmen.
The church has a rectangular layout, the nave occupying the space between the shorter rather than the longer sides of the rectangle, giving it exceptional width. Standing on a granite plinth, the church is a yellow brick (Flensborg sten) building with sandstone finishing for the portal and tower. Ionic pilasters decorate the portal and the round-arched windows are tall and slender. The tower stands 70 metres high. Designed by Eigtved's son-in-law D. G. Anthon, the spire was added in 1769.
The unusual interior of Christian's Church is reminiscent of a theatre. In addition to the benches on either side of the nave, three tiers of galleries complete with boxes rise the full height of the building on the northern, western and southern sides. They are all arranged to provide the congregation with an excellent view of the podium on the eastern side which is reminiscent of a stage. It is dominated by the tall slender altarpiece which consists not only of the altar table itself but also of the pulpit above it and the organ at the very top. The ornate entrance, topped by the royal box, is opposite the altar and under the tower on the western side.
The organ stands in the integrated altarpiece above a clock face in the medieval tradition. The original instrument was built in 1759 by the leading authority of the day, Hartvig Jochum Müller. In 1917, I. Starup built a new pneumatic instrument on Müllers facade, and in 1976 the church acquired today's organ designed by P.-G. Andersen.
The church also has a large crypt covering the full area of the nave above. Divided into 48 burial chapels, it has been used for burials ever since the church's consecration in 1759 and is still in use today.References:
Roman Walls of Lugo are an exceptional architectural, archaeological and constructive legacy of Roman engineering, dating from the 3rd and 4th centuries AD. The Walls are built of internal and external stone facings of slate with some granite, with a core filling of a conglomerate of slate slabs and worked stone pieces from Roman buildings, interlocked with lime mortar.
Their total length of 2117 m in the shape of an oblong rectangle occupies an area of 1.68 ha. Their height varies between 8 and 10 m, with a width of 4.2 m, reaching 7 m in some specific points. The walls still contain 85 external towers, 10 gates (five of which are original and five that were opened in modern times), four staircases and two ramps providing access to the walkway along the top of the walls, one of which is internal and the other external. Each tower contained access stairs leading from the intervallum to the wall walk of town wall, of which a total of 21 have been discovered to date.
The defences of Lugo are the most complete and best preserved example of Roman military architecture in the Western Roman Empire.
Despite the renovation work carried out, the walls conserve their original layout and the construction features associated with their defensive purpose, with walls, battlements, towers, fortifications, both modern and original gates and stairways, and a moat.
Since they were built, the walls have defined the layout and growth of the city, which was declared a Historical-Artistic Ensemble in 1973, forming a part of it and becoming an emblematic structure that can be freely accessed to walk along. The local inhabitants and visitors alike have used them as an area for enjoyment and as a part of urban life for centuries.
The fortifications were added to UNESCO"s World Heritage List in late 2000 and are a popular tourist attraction.