Christian's Church is a magnificent Rococo church in the Christianshavn district of Copenhagen. After Christian IV founded Christianshavn in 1617 as a town specially for merchants, a large community of German tradrers and craftsmen settled there. Even though Christianshavn had been incorporated into Copenhagen prior to 1674, they did not attend St. Peter's Church like the rest of the city's German community but preferred to use the local Church of Our Saviour. This lasted until they finally asked King Christian VI for permission to build their own church. The King approved the plans and contributed with a lot, a former saltern, located at the end of Strandgade in the southern part of the neighbourhood. He also granted permission for a lottery to be held to cover the project's financing with the result that the finished church used to be colloquially known as the Lottery Church.
Nicolai Eigtved, the king's preferred architect at the time, was charged with the design of the new church but died in 1754, before construction started. Instead his son-in-law, Royal Master Builder Georg David Anthon, was entrusted with supervising the actual construction of the church which was completed in 1759. Anthon also designed the spire which is an addition from 1769.
The church originally called Frederik's German Church (Danish: Frederiks Tyske Kirke), and served its original purpose as a church for the German congregation until it was dissolved in 1886. In 1901 the name of the church was changed to the current Christian's Church to complement and avoid confusion with Frederik's Church in Frederiksstaden in the other side of the harbour, as well as to conmemorate Christian IV, the founder of the Christianshavn area. Since 1991 it has been a regular parish church for Christian's Parish which includes part of Christianshavn as well as Slotsholmen.
The church has a rectangular layout, the nave occupying the space between the shorter rather than the longer sides of the rectangle, giving it exceptional width. Standing on a granite plinth, the church is a yellow brick (Flensborg sten) building with sandstone finishing for the portal and tower. Ionic pilasters decorate the portal and the round-arched windows are tall and slender. The tower stands 70 metres high. Designed by Eigtved's son-in-law D. G. Anthon, the spire was added in 1769.
The unusual interior of Christian's Church is reminiscent of a theatre. In addition to the benches on either side of the nave, three tiers of galleries complete with boxes rise the full height of the building on the northern, western and southern sides. They are all arranged to provide the congregation with an excellent view of the podium on the eastern side which is reminiscent of a stage. It is dominated by the tall slender altarpiece which consists not only of the altar table itself but also of the pulpit above it and the organ at the very top. The ornate entrance, topped by the royal box, is opposite the altar and under the tower on the western side.
The organ stands in the integrated altarpiece above a clock face in the medieval tradition. The original instrument was built in 1759 by the leading authority of the day, Hartvig Jochum Müller. In 1917, I. Starup built a new pneumatic instrument on Müllers facade, and in 1976 the church acquired today's organ designed by P.-G. Andersen.
The church also has a large crypt covering the full area of the nave above. Divided into 48 burial chapels, it has been used for burials ever since the church's consecration in 1759 and is still in use today.References:
Castle Rushen is located in the Isle of Man"s historic capital, Castletown. The castle is amongst the best examples of medieval castles in the British Isles, and is still in use as a court house, museum and educational centre.
The exact date of castle is unknown, although construction is thought to have taken place during the reigns of the late 12th century and early 13th century rulers of the Isle of Man – the Kings of Mann and the Isles. The original Castle Rushen consisted of a central square stone tower, or keep. The site was also fortified to guard the entrance to the Silver Burn. From its early beginnings, the castle was continually developed by successive rulers of Mann between the 13th and 16th century. The limestone walls dominated much of the surrounding landscape, serving as a point of dominance for the various rulers of the Isle of Man. By 1313, the original keep had been reinforced with towers to the west and south. In the 14th century, an east tower, gatehouses, and curtain wall were added.
After several more changes of hands the English and their supporters eventually prevailed. The English king Edward I Longshanks claimed that the island had belonged to the Kings of England for generations and he was merely reasserting their rightful claim to the Isle of Man.
The 18th century saw the castle in steady decay. By the end of the century it was converted into a prison. Even though the castle was in continuous use as a prison, the decline continued until the turn of the 20th century, when it was restored under the oversight of the Lieutenant Governor, George Somerset, 3rd Baron Raglan. Following the restoration work, and the completion of the purpose-built Victoria Road Prison in 1891, the castle was transferred from the British Crown to the Isle of Man Government in 1929.
Today it is run as a museum by Manx National Heritage, depicting the history of the Kings and Lords of Mann. Most rooms are open to the public during the opening season (March to October), and all open rooms have signs telling their stories. The exhibitions include a working medieval kitchen where authentic period food is prepared on special occasions and re-enactments of various aspects of medieval life are held on a regular basis, with particular emphasis on educating the local children about their history. Archaeological finds made during excavations in the 1980s are displayed and used as learning tools for visitors.