The Anne Frank House is a museum dedicated to Jewish wartime diarist Anne Frank, who hid from Nazi persecution with her family and four other people in hidden rooms at the rear of the building. As well as the preservation of the hiding place — known in Dutch as the Achterhuis — and an exhibition on the life and times of Anne Frank, the museum acts as an exhibition space to highlight all forms of persecution and discrimination. The building was opened as a museum to the public in 1960.
The house — and the one next door at number 265, which was later purchased by the museum — was built by Dirk van Delft in 1635. The canal-side facade dates from a renovation of 1740 when the rear annex was demolished. It was originally a private residence, then a warehouse, and in the nineteenth century, the front warehouse with its wide stable-like doors was used to house horses. At the start of the 20th century a manufacturer of household appliances occupied the building, succeeded in 1930 by a producer of piano rolls, who vacated the property by 1939. On 1 December 1940 Anne's father Otto Frank moved the offices of the spice and gelling companies he worked for, Opekta and Pectacon, from an address on Singel canal to Prinsengracht 263.
The ground floor consisted of three sections; the front was the goods and dispatch entrance, behind it in the middle section were the spice mills, and at the rear, which was the ground floor of the annex, was the warehouse where the goods were packed for distribution. On the first floor above were the offices of Frank's employees; Miep Gies, Bep Voskuijl and Johannes Kleiman in the front office; Victor Kugler in the middle; with Otto Frank in the rear office above the warehouse and below the floors which would later hide him and his family for two years until their betrayal to the Nazi authorities.
The Achterhuis or Secret Annex — as it was called in The Diary of a Young Girl, an English translation of the diary — is the rear extension of the building. It was concealed from view by houses on all four sides of a quadrangle. Its secluded position made it an ideal hiding place for Otto Frank, his wife Edith, two daughters (of whom Anne was the younger), and four other Jewish people seeking refuge from Nazi persecution. Though the total amount of floor space in the inhabited rooms came to only about 46 m2, Anne Frank wrote in her diary that it was relatively luxurious compared to other hiding places they had heard about. They remained hidden here for two years and one month until they were anonymously betrayed to the Nazi authorities, arrested, and deported to their deaths in concentration camps. Of the hidden group, only Otto Frank survived the concentration death camps.
After those in hiding were arrested, the hiding place was cleared by order of the arresting officers and all the remaining contents (clothes, furniture, and personal belongings) of the Frank family and their friends were seized and distributed to bombed-out families in Germany. Before the building was cleared, Miep Gies and Bep Voskuijl, who had helped hide the families, returned to the hiding place against the orders of the Dutch police and rescued some personal effects. Amongst the items they retrieved was The Diary of Anne Frank.
After Otto Frank returned to Amsterdam, he was given Anne's diaries and papers, and subsequently compiled selections into a book published in Dutch in 1947 under the title Het Achterhuis, which Anne had chosen as the name of a future memoir or novel based on her experiences in hiding. Achterhuis is a Dutch architectural term referring to a Back-house (used comparatively with Voorhuis meaning Front-house), however when the English translation began production it was realised that many English-speaking readers might not be familiar with the term, and it was decided that a more evocative term (the 'Secret Annexe') would better convey the building's hidden position.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.