The Zuiderkerk ('southern church') was the city's first church built specifically for Protestant services. It was constructed between 1603 and 1611. The distinctive church tower, which dominates the surrounding area, was not completed until 1614 and contains a carillon of bells built by the brothers Hemony, installed in 1656.
The Zuiderkerk was used for church services until 1929. During the final (1944-1945) winter of World War II it was in use as a temporary morgue because people were dying faster than they could be buried. The church was closed in 1970 because it was at the point of collapse. In the years 1976-1979, the church underwent renovation, and since 1988 it serves as a municipal information centre. The tower has a separate entrance and is also open to the public.
The design of the church in Amsterdam Renaissance style is by Hendrick de Keyser, who was also buried in the church in 1621. A memorial stone was placed on top of his tomb in 1921. De Keyser designed the church as a pseudo-basilica in Gothic style, with a central nave and two lower side aisles, six bays long, with Tuscan columns, timber barrel vaults and dormers. The stained glass in the rectangular windows was replaced by transparent glass in the 17th century. The richly detailed tower is a square stone substructure, on which an octagonal sandstone section stands with free-standing columns on the corners. On top of this is a wooden, lead-covered spire.
French Impressionist painter Claude Monet painted the church during a visit to the Netherlands. The painting now hangs in the Philadelphia Museum of Art. Three of Rembrandt's children were buried in the Zuiderkerk, which is very near to Rembrandt's house in the Jodenbreestraat. Ferdinand Bol, one of Rembrandt's most famous pupils, was buried in the Zuiderkerk in 1680.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.