The Noorderkerk ('northern church') was built between 1620–1623 to serve the rapidly growing population of the new Jordaan neighbourhood. The Jordaan already had a church, the Westerkerk, but the city government decided that a second church should be built to serve the northern part of the neighbourhood. The Noorderkerk became the church for the common people, while the Westerkerk was used mainly by the middle and upper classes.
The architect was Hendrick de Keyser, who also designed the Zuiderkerk and Westerkerk, among others. After de Keyser's death in 1621, his son Pieter de Keyser took over and oversaw the completion.
While the Zuiderkerk and Westerkerk have a more traditional basilica design, the Noorderkerk has a symmetrical, cross-shaped layout, reflecting the ideals of the Renaissance and protestantism. De Keyser's unique design combines an octagonal floor plan with a structure shaped like a Greek cross, with four arms of equal length. Annex buildings occupy each corner of the cross, and a small tower sits in the centre of the cross. Large Tuscan pillars dominate the church interior. The bell tower was built in 1621 by J. Meurs.
The church is still used for Dutch Reformed Church services and is also used regularly for classical music concerts.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.