The Musée Marc Chagall is dedicated to the work of painter Marc Chagall - essentially his works inspired by religion - located in Nice in the Alpes-Maritimes.
The museum was created during the lifetime of the artist and inaugurated in 1973. It houses the series of seventeen paintings illustrating the biblical message, painted by Chagall and offered to the French State in 1966. This series illustrates the books of Genesis, Exodus and the Song of Songs.
Chagall himself provided detailed instructions about the creation of the garden by Henri Fish, and decided the place of each of his works in the museum. The chronological order of the works was not followed. Chagall created the mosaic which overlooks the pond and the blue stained glasses that decorate the concert hall; he also wanted an annual exhibition to be held on a topic related to the spiritual and religious history of the world.
As the collection has grown, what was a museum illustrating the theme Biblical message has become a monographic museum dedicated to Chagall's works of religious and spiritual inspiration. In 1972, the artist gave the museum all the preparatory sketches of the Message Biblique as well as stained glass and sculptures, and in 1986, the museum acquired, in lieu of inheritance taxes, the complete drawings and gouaches painted to depict the Exodus and ten other paintings, which includes the triptych named Résistance, Résurrection, Libération. Other acquisitions complemented the museum's collections, which now has one of the largest collection of works by Marc Chagall.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.