The Musée Marc Chagall is dedicated to the work of painter Marc Chagall - essentially his works inspired by religion - located in Nice in the Alpes-Maritimes.
The museum was created during the lifetime of the artist and inaugurated in 1973. It houses the series of seventeen paintings illustrating the biblical message, painted by Chagall and offered to the French State in 1966. This series illustrates the books of Genesis, Exodus and the Song of Songs.
Chagall himself provided detailed instructions about the creation of the garden by Henri Fish, and decided the place of each of his works in the museum. The chronological order of the works was not followed. Chagall created the mosaic which overlooks the pond and the blue stained glasses that decorate the concert hall; he also wanted an annual exhibition to be held on a topic related to the spiritual and religious history of the world.
As the collection has grown, what was a museum illustrating the theme Biblical message has become a monographic museum dedicated to Chagall's works of religious and spiritual inspiration. In 1972, the artist gave the museum all the preparatory sketches of the Message Biblique as well as stained glass and sculptures, and in 1986, the museum acquired, in lieu of inheritance taxes, the complete drawings and gouaches painted to depict the Exodus and ten other paintings, which includes the triptych named Résistance, Résurrection, Libération. Other acquisitions complemented the museum's collections, which now has one of the largest collection of works by Marc Chagall.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.