The town of Visby in Sweden was in 1995 chosen by UNESCO as one of the World Heritage Sites. The town has a city wall that is 3.4 kilometers long which was built from the 12th-14th century. It was the trading center in The Baltic sea, and a lot of mainly Germans and also people from other countries moved to Visby to be a part of this modern and wealthy and rich town. Visby had two mayors during the Medieval Times, one Gotlandic and one German, independent of the country of Sweden. Even the country side was really rich with its 91 medieval churches that are still in use. 3 churches on the countryside desert churches. An example is is the church of Eskelhem that was commissioned and built by only 6 rich farmers. And many churches hired stonemasons from Germany and painters from Italy. It is worse with the churches in Visby. King Valdemar Atterdag of Denmark invaded Gotland 1361 and plundered especially Visby. And the Danes stayed here for nearly 300 years. But before it happened Lübeck had taken over the role as the trading center. Many of the big churches are ruins today, because the peole in the town couldn't maintain them during the 15th-18th centuries, but many of the churches' roof arches are still there. Tody they are used for concerts, weddings and other things. It's only the German Dome church St. Maria that remains. The town is called 'the city of roses and ruins'. And we have of course our city wall. Gotland became a part of Sweden in 1645.
A lot of tourists visit Gotland, especially Visby, during the summer period. And they are several times more than the population of Gotland. Tourists from other parts of Sweden use to say that it's like coming to another country. The pubs and restaurants are crowded. Visby has most restaurants and pubs per capita in Sweden.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.