Wisłoujście Fortress is located in direct proximity to the Westerplatte peninsula. This was an important area from a strategic point of view, as the movement of ships entering and leaving Gdańsk harbour could be controlled from this place. The first written comments on the existence of a guard post in the place of the present fortress date from the mid-14th century. The first permanent fortifications were built just after Gdańsk broke free from the Teutonic Knights’ reign (1308-1454). In 1482 a brick cylindrical tower was erected used both for defense purposes and as a lighthouse. The tower itself did not provide sufficient defense, and therefore during the Polish-Teutonic Knights war between 1518–21, wooden fortifications were built around the lighthouse. Subsequent defense structures were added over the following decades. In 1562 the wooden fortifications surrounding the tower were replaced with a three-storey brick ring with casemates.
The 16th century and more specifically its end, was a period of rapid development in guns and their ensuing increased destructive power, which necessitated the modernization of the fortifications and the establishment of new defense systems. Gdańsk relatively quickly became aware of the need to undertake these expensive works, which however were necessary for the city’s security. In the 1580s a four-bastion Carré fort was built around the ring in place of the former wooden fortifications, designed according to the rules of the new Italian art of fortification. It was most likely designed by the Flemish fortifications expert, Antoni van Obberghen. The fort’s bastions had casemates and gun stations, which allowed one to fire along the walls. The foreground could be fired upon with guns located in the bastions. The casemates had 1586 and 1587 date inscriptions, indicating the time of completing the construction of individual fortification structures. Fort Carré was surrounded by a moat, through which the way to the inside lead, located in the curtain wall between the bastions.
The entry was protected by a gate and drawbridge. The gate tunnel is built diagonally in relation to the entry axis in order to protect the interior of the fort from potential gunfire. The 1602 date inscription in the entry portal of the fort refers to the date of completing the works on the fort.
The Eastern Entrenchment was erected during 1624-26 to protect the fort against direct attack and was constructed according to the guidelines of the Italian expert, Hieronim Ferrero. It consisted of 5 earth bastions preceded by a moat. The similar Western Entrenchment was located on the other bank of the Vistula river directly opposite the fortress. The fortifications of both entrenchments were constantly developed and implemented in the 18th century.
The fortress fortifications and city defense system were merged into a unified defense system in 1657–58. The Fortress itself, the New Harbour and Westerplatte were additionally strengthened during the Napoleonic wars. Ultimately, the fortress had lost its military significance after WWI through the demilitarization of Gdańsk. Between the two world wars it was used as a marina by many yacht clubs. The facility was destroyed during the war in 1945 and was partially rebuilt in the sixties. Further reconstruction of the facility and its planned adaptation to a yacht marina was discontinued as a result of the construction of industrial plants in the direct vicinity and their negative impact on the structure. Since 1974 Wisłoujście Fortress has been administered by the Gdańsk History Museum.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.