The Convent of the Frairs Minor Capuchin, popularly known as the Convent of the Capuchos, is a historical convent consisting of small quarters and public spaces located in the civil parish of São Pedro de Penaferrim.
The convent was founded in 1560, consisting of eight monks that arrived from the Convent of Arrábida. Between 1578 and 1580, the Chapel of Santo António was constructed, along with the erection of a wall around the convent, under the orders of Cardinal Henry.
In the 17th century, a painting/panel of São Pascoal Bailão, by Vicente Carducho, was completed, while in 1610 several mural paintings on the exterior of the Chapel of Senhor Morto. In 1650 a marker was erected to identify the road to the convent.
As a result of the extinction of the religious orders in Portugal, in 1834, the convent was acquired by the second Count of Penamacor, D. António de Saldanha Albuquerque e Castro Ribafria (1815-1864). It remained in the possession of this generation until 1873, when it was acquired by Sir Francis Cook, first Viscount of Monserrate.
In the first half of the 20th century, the site was acquired by the State, although little was done until the middle of that century. It was bought by the Portuguese State in 1949. The General Directorate of Buildings and National Monuments began a series of public projects to preserve the site starting in the 1950s.
The Capuchos Convent became part of the Cultural Landscape of Sintra World Heritage Site, classified by UNESCO in 1995.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.