Graz old town is one of the best-preserved city centres in Central Europe. The oldest settlement on the ground of the modern city of Graz dates back to the Chalcolithic Age. However, no historical continuity exists of a settlement before the Middle Ages. During the 12th century, dukes under Babenberg rule made the town into an important commercial center. Later, Graz came under the rule of the Habsburgs, and in 1281, gained special privileges from King Rudolph I.
In the 14th century, Graz became the city of residence of the Inner Austrian line of the Habsburgs. The royalty lived in the Schloßberg castle and from there ruled Styria, Carinthia, most of today's Slovenia, and parts of Italy.
In the 16th century, the city's design and planning were primarily controlled by Italian Renaissance architects and artists. One of the most famous buildings built in this style is the Landhaus, designed by Domenico dell'Allio, and used by the local rulers as a governmental headquarters.
Graz bear witness to an exemplary model of the living heritage of a central European urban complex influenced by the secular presence of the Habsburgs and the cultural and artistic role played by the main aristocratic families. They are a harmonious blend of the architectural styles and artistic movements that have succeeded each other from the Middle Ages until the 18th century, in the many neighbouring regions of Central and Mediterranean Europe. They embody a diversified and highly comprehensive ensemble of architectural, decorative and landscape examples of these interchanges of influence.
In 1999, Graz was added to the UNESCO list of World Cultural Heritage Sites, and the site was extended in 2010 by Schloss Eggenberg.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.