Gries Church, Bolzano, Italy - SpottingHistory.com

The Old Parish Church of Gries contains several precious works of art. Some parts of the original Romanesque church are still preserved, as parts of the walls of the tower and nave. There has probably been a settlement in the area since Roman times.

The Gothic, polygonal choir was built in 1414. During the course of the 16th century the Romanesque church was rebuilt. Star-shaped vaults were inserted in the nave, and in 1529 a church porch, also with star-shaped vaults, were built. The tower also received its pointed spire at this time. The chapel dedicated to Saint Erasmus was finished already in 1519.

In 1788, the church lost its position as parish church of Gries. The Muri-Gries Abbey from now on instead served this purpose. The church is surrounded by the old cemetery of the Parish, which since 1922 is closed for new graves. Among the people buried here, Austrian admiral and explorer Bernhard von Wüllerstorf-Urbair is among the more well-known.

The old parish church contains two pieces of art of high value. The one is a Romanesque crucifix, dating from circa 1200 and probably made abroad (possibly northern France)

The other is a late Gothic, carved wooden altarpiece made by Michael Pacher. Pacher made the altarpiece between 1471 and 1475. During the Baroque era, the altarpiece was considered out of date and replaced with a Baroque high altar. Pacher's altarpiece was placed in the St. Erasmus' chapel of the church. It has remained there since; it has however lost its wings, its predella, its top and other details.

References:

Wikipedia

Religious sites in Italy

User Reviews

Emanuela Salvatore (19 months ago)
Che meraviglia! In stile gotico (inizi del '400), il campanile ha un'alta cuspide in muratura. L' eccezionale interesse artistico di questa chiesa è dovuto a due opere di altissimo pregio: l'altare di Michael Pacher (1471/75), capolavoro assoluto dell'arte gotica degli altari lignei a scrigno, ed un Crocifisso ligneo romanico del principio del '200. La chiesa è contornata da un piccolo cimitero.

Christian cani (2 years ago)
Bellissima e suggestiva,peccato per la desolazione dell'esterno,si potrebbe tenere più pulito il suolo del cimitero.

Eduard Gruber (2 years ago)
Ein Kleinod

Marco Santoni (3 years ago)
Chiesa gotica con all'interno un bellissimo altare di Michael pacher

enrico corna (4 years ago)
Bella chiesa di forme gotiche circondata da un piccolo caratteristico cimitero.All'interno un altare in legno di M.Pacher, un crocifisso penso del '200 e altre opere d'arte.Vale una visita se ci si trova nelle vicinanze.

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Photo from Flickr, copyright Dan Lundberg

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Hagios Demetrios

The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.

The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.

The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.

The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.

Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.

Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.

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