The House of Nobility (Riddarhuset, “the House of Knights”) was built in 1641-1672 as a chamber of Estates of the Realm, and as such, a Swedish equivalent to the British House of Lords. After 1866, when the Riksdag of the Estates was replaced by the new parliament, the Swedish House of Nobility served as a quasi-official representation of the Swedish nobility, regulated by the Swedish government. Since 2003, it has been a private institution, which maintains records and acts as an interest group on behalf of the Swedish nobility, with the main purpose to maintain old traditions and culture.
The building design was started by the French-born architect Simon De la Vallée, but was killed by a Swedish nobleman in 1642. The plans were eventually finished by his son, Jean De la Vallée, in 1660. In the 18th century, the building was often used for public concerts. From 1731, public concerts were performed here by Kungliga Hovkapellet. The south end of the building carries the Latin inscription CLARIS MAIORUM EXEMPLIS, after the clear example of the forefathers, and holds a statue of Gustav II Adolph. North of the building is a park in which is a statue of Axel Oxenstierna. The architecture of the old main library in Turku, Finland was influenced by the Swedish House of Nobility.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.