The Stockholm City Museum documents and exhibits the history of Stockholm. It was opened to the public in 1942 and located in the palace completed in 1685. The museum is the largest municipal museum in Sweden, and houses collections which include 300,000 items of historical interest; 20,000 works of art and 3 million photographs.
The museum has two permanent exhibitions, one called "The Stockholm Exhibition - Based on a true story". The first part of the Stockholm exhibition was opened in 2010. It tells the history of Stockholm from the first sign of settlements until the future ideas of children. It is all about buildings, streets, parks and water as well as of the inhabitants who fills the city with life. At the exhibition you may also find a unique painting of Stockholm during the 17th century. The second part of "The Stockholm Exhibition" was opened in April 2011. It focuses on the later part of the history of Stockholm.
The other permanent exhibition "About houses - Architecture & building preservation in Stockholm" guides the visitor through different historical building styles and show examples from the end of last century until the 1970s. Among kitchen cabinets, wallpapers and door handles, you get knowledge of that which is typical of the times and in many cases worthy of preservation.
Aside from the permanent exhibition and the main exhibitions, the museum most often has a few smaller exhibitions open, such as photographic exhibitions.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.