San Vincenzo in Prato is the only church in Milan which has entirely maintained its original Palaeo-Christian appearance. The first church was founded by the Lombard king Desiderius in 770, who dedicated it to the Virgin Mary. Later it was entitled to St. Vincent, when the latter's relics were found in an urn in the crypt, together with those of St. Quirinus and St. Nicomedes (859) and St. Abundius. The name in Prato derives from its location in the 'pratum' (in the field) area owned by bishop Odelpertus.
In 806 a Benedictine convent was added to the church; in the late years of the same century and in the early 10th century the church, in dismaying conditions, was rebuilt, but with similar appearance. The octagonal baptistery on the exterior, on the left, was built by architect Paolo Mezzanotte in year 1932, and includes a column-shaped font called Pietra santa (the Saint Stone) coming from the ancient church of S. Nazaro in Pietra Santa, which was demolished in year 1889 during the construction of the new Via Dante. The convent was suppressed in 1520 and in 1598 the church was restored and turned into a parish.
The basilica measures c. 40 x 20 m, and is in brickwork. The interior is on a nave and two aisles with wooden spans ceiling. The columns are from different ages. The elevated choir ends with a large apse. Under the presbytery is the crypt, which has also a nave and two aisles divided by ten small columns with sculpted capitals.
San Vincenzo lies on the founding of a Roman temple or oratory built along the way to Vigevano probably dedicated to Juppiter, which was located within a Roman necropolis (of which some remains are visible in the external left walls of the church).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.