Plaza de la Corredera, Córdoba, Spain

Plaza de la Corredera is the result of the works carried out between 1683 and 1687 by Chief Magistrate Francisco Ronquillo Briceño. These were motivated by the almost collapse of one of the wooden stalls that were back then installed for the bullfightings held in the square which made the audience panic.

This grand 17th-century square has an elaborate history as a site of public spectacles, including bullfights and Inquisition burnings. Nowadays it's ringed by balconied apartments and is home to an assortment of popular, though culinarily run-of-the-mill, cafes and restaurants. The Mercado de la Corredera is a busy morning food market selling all kinds of fresh produce.

Historic city squares, old towns and villages in Spain

User Reviews

Catherine Perez (2 years ago)
Perfect for have a nice breakfast outside, in the middle of it actually

Fafne A (2 years ago)
The plaza is in Cordoba old town. There is a choice of cafes and restaurants. We had the local churros with chocolate sauce. The main entrance to the market is here which is worth a visit. At the end is a cheap cafe.

Brian Lee (2 years ago)
Nice place but not much to see here. Good for a quick stop for drinks

David McChang (2 years ago)
Impressive space, with a couple of cafés. What's cool is that it all residential so real people live here rather than it just being a monument.

Nigel Orrin (2 years ago)
Got dropped off here for a quick refreshment in the middle of a pedal bike tour. Impressive very large square apparently it used to be the bull ring or bull plaza back in the day! Great fish market in one of the buildings, probably best to visit this early morning! as it was a bit smelly in the heat of the afternoon! The four of us had a glass of extremely good house wine and a bottle of water for less than 10 Euro.

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Holy Trinity Column

The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.

The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.

The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.

Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.

In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.

The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.

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