San Pablo is a church and former convent in Córdoba. The present church and defunct convent were built on a space that always harbored large buildings for its location at the door of the city along one of the main access roads. A Roman Circus predated a Muslim palace before Almohad Christians built a Dominican convent.
The church has Baroque features made in marble dating to 1708. The main facade features the Mannerist style of the 16th century. The interior consists of three naves divided by pillars covered with coffered Mudéjar ornamentation. There are three apses, circular on the inside and rectangular on the outside, with a quarter-sphere dome, and central pentagonal vault. The tower is located at the foot of the church and is of stone, upon which stands the wooden bell tower.
In the nave of the Gospel, there is a pointed flaring arch, with caliphal capitals, leading into San Pablo Street. In the nave of the Epistle, there is an old door of Gothic-Mudejar style. Among the preserved chapels is the Chapel of the Madonna del Rosario, built in the 15th century and renovated in 1758, which is an example of Baroque Cordoba. Remains of the cloister of the convent can be seen embedded in the passage that leads to the Ministry of Culture on Capitulares Street. The chapter house, designed by Hernán Ruiz II, was possibly unfinished for lack of funds. Restoration and refurbishment of the building occurred in 2008 as part of an earmark for the cultural area of the city. One of the most important sculptures of Easter Cordoba, Our Lady of Sorrows, is by Juan de Mesa and dates to 1627.
In the Jardines de Orive are the grounds of the former convent garden. The site's gardens are mentioned as early as 1409.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.