The Halle Gate is a medieval fortified city gate of the second walls of Brussels. It is now a museum, part of the Royal Museums for Art and History. Built in 1381, the gate was named for the city of Halle in Flemish Brabant which it faces. The original gate included a portcullis and drawbridge over a moat. The structures that housed these are still visible.
While the other six gateways and the defensive walls were demolished, the Halle Gate survived as it was used as a prison. It was at other times used as a customs house, for grain storage, and a Lutheran church.
The architect Henri Beyaert restored the building between 1868 and 1870, changing the austere medieval tower with more romantic Neo Gothic embellishments. The outer entrance, now facing Saint-Gilles, is closer to the original appearance. In front of the inner gate, facing the city of Brussels, Beyaert added a circular tower topped by a conical roof, containing a monumental spiral staircase. Beyaert also added turrets and a large roof.
In 1847 the Halle Gate became part of Belgium's Museum of Armour, Antiquity and Ethnology, now named the Royal Museums for Art and History. By 1889, the Halle Gate was too small to house most of the collection, and most was relocated to the Cinquantenaire Museum. It continued to display armour and weapons.
In 1976, the building was in a dangerous state of disrepair and was closed. Finally renovations began, and the Gate was reopened in 1991. Further restoration was stalled by lack of money, and the museum only housed temporary exhibitions.
In March 2007 a new extensive restoration was begun. The Halle Gate finally reopened on June 6, 2008. Finally the St Gilles (drawbridge) entrance was opened as the prestigious main entrance to the building. The museum includes exhibits about the history of the building, and of the city of Brussels and its defence. The collection includes the parade armor of Archduke Albert of Austria.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.