The Basilica of St. Cunibert is the newest of Cologne's twelve Romanesque churches. It was consecrated 1247, one year before work on the Gothic Cologne Cathedral began. It was declared a minor Basilica in 1998.
A small church located at a burial ground north of the Roman city was founded or renewed by Cunibert, ninth Bishop of Cologne. Cunibert was also buried there. After 690 the Two Ewalds were buried in the church as well.
The church was originally dedicated to Saint Clement, but Cunibert was adored alongside him at least since the ninth century and a monastery Saint Kunibert was first mentioned in records 866. Around the middle of the eleventh century the direct predecessor of the current church was built. Later a parish with the dean as parson was allocated to the monastery. The church became a pilgrimage site after the Canonization of the Two Ewalds in 1074 and of Cunibert in 1168.
Between 1210 and 1215 the erection of the current building started. The choir was finished 1226 and the church consecrated in 1247. Until 1261 a transept and a tower were added to the west.
The monastery ceased to exist in 1802 as a result of the secularization under Napoleonic reign and the monastery buildings were eventually torn down in 1821. However the church remained in use by the local parish.
The western spire collapsed during a storm in 1830 for static reasons, as this tower was not part of the original plan and the structure of the building was not designed for it. Tower and westwork were newly erected until 1860.
The church suffered severe damage during the Second World War. The roof was destroyed by fire, the western tower was hit by a bomb, collapsed and destroyed large parts of the westwork. Reconstruction of choir and nave were finished 1955, however rebuilding of transept and western tower were only started in the late 1970s. Reconstruction work was finished in 1985.
The original shrines of Cunibert and The Ewalds were destroyed during secularization and only the wooden cores with the relics remained. Today's shrines are from the second half of the 19th century.
The eight medieval glass windows in the apse area were made between 1220 and 1230. The upper three windows show Saint Clement, the original patron of the site, the Tree of Jesse and Saint Cunibert. The windows of the lower band show Saint Ursula, Saint Cordula, Saint Catherine, Saint Cecilia and John the Baptist.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.